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The Old Butcher’s Shop Gallery - Ballarat
05.02.22 - 27.02.22
This series of work from Madeleine Cruise is an intimate and reflective portrayal of the experience that has been ‘living with Covid’ in her home town of Ballarat.
Made over a two year period, Creature Comforts documents the artist’s living and working environment across a range of mediums. Keeping within the 5km radius of travel restrictions the artist’s local landscape of Black hill is a reoccurring motif as is the domestic space, which became an imaginative sanctuary.
Working within parameters Madeleine has focused her gaze and like the title suggests found solace in habitual practices. Newly adopted techniques of embroidery and carving feature in this exhibition as cathartic processes that served to not only extend upon aesthetic themes in the artist’s body of work but calm the mind.
A limited number of works from this exhibition are still available for purchase. Please see the STOCK ROOM for details.
The Old Butcher’s Shop Gallery - Ballarat
05.02.22 - 27.02.22
This series of work from Madeleine Cruise is an intimate and reflective portrayal of the experience that has been ‘living with Covid’ in her home town of Ballarat.
Made over a two year period, Creature Comforts documents the artist’s living and working environment across a range of mediums. Keeping within the 5km radius of travel restrictions the artist’s local landscape of Black hill is a reoccurring motif as is the domestic space, which became an imaginative sanctuary.
Working within parameters Madeleine has focused her gaze and like the title suggests found solace in habitual practices. Newly adopted techniques of embroidery and carving feature in this exhibition as cathartic processes that served to not only extend upon aesthetic themes in the artist’s body of work but calm the mind.
A limited number of works from this exhibition are still available for purchase. Please see the STOCK ROOM for details.
Black Hill, 2019
Acrylic on canvas, 60 x 45cm, framed in Tasmanian oak
Comin' round the bend, 2021
Acrylic on canvas, 38 x 25cm, Framed in Tasmanian oak
Lal Lal Falls, 2020
Acrylic on canvas, 25 x 38cm, Framed in Tasmanian oak
Rock Stars, 2021
Acrylic on canvas, 25 x 38cm, framed in Tasmanian oak
Magic Hour, 2021
Acrylic on canvas, 38 x 25cm, framed in Tasmanian oak
Walking with dreams, 2021
Acrylic on canvas, 38 x 25cm, framed in Tasmanian oak
Leaning Stone Pines, 2021
Acrylic on canvas, 38 x 25cm, framed in Tasmanian oak
Still life with cyclamen, 2020
Acrylic on canvas, 85 x 65cm, framed in Tasmanian oak
Thou shall not wear denim, 2020
A collaboration with Ruby Pilven.
Porcelain & stoneware clay with stoneware glaze & gold lustre on plywood.
Sylvia, 2020
Acrylic on canvas, 30 x 25cm, Framed
If lemons could fly, 2021
Acrylic on canvas, 85 x 65cm, framed in Tasmanian oak
True Lovers, 2019
Acrylic on canvas. 76x56cm, framed in Tasmanian oak.
Ballarat Botanic Gardens, 2019
Acrylic on canvas, 104 x 94cm, framed
The Players (2), 2020.
A collaboration with Ruby Pilven.
Black mid fire clay on plywood.
The Players (2), 2020
A collaboration with Ruby Pilven
Porcelain clay on plywood.
Black Hill Spring, 2020
Lino print with water colour on paper, 22 x 33cm, framed.
Black Hill Dusk, 2021
Lino print with water colour on paper, 22 x 33cm, framed.
Black Hill Summer, 2021
Lino print with water colour on paper, 22 x 33cm, framed.
Black Hill Winter, 2021
Lino print with water colour on paper, 22 x 33cm, framed.
Black Hill - Summer, 2021
Lino print and gouache on paper, 18x30cm, unframed.
Black Hill Whispers, 2021
Lino print, gouache and pastel on paper, 22 x 33cm, unframed
Black Hill Whispers is a monotype print that combines lino printing, gouache and pastel to reflect the contemplative daily walks undertaken by the artist during the lockdowns of 2020 / 2021. The work documents the rugged atmospheric landscape but also the emotional terrain of ‘living with covid’. Lyrical marks and jagged shapes combine to show the highs and lows of life while carving is a chosen technique for the catharsis it offered in challenging times. The landscape takes on a performative quality in this work, symbolising the alternate realities born from the experience of walking in nature and the yearning of the artist to break free from the confines of the pandemic.
Black Hill Excavations, 2021
Wood block print with watercolour, 22 x 10cm, framed
Black Hill Tunnels, 2021
Lino print and gouache on paper, not framed
Black of the night, 2021
Lino print on paper, 35x25cm, unframed.
Pine Jumps, 2021
Lino print and gouache on paper, 45 X 35cm, Framed
Pine Jumps sun set, 2021
Lino print and gouache on paper, 35 X 25cm, un framed,
Pine Jumps, Dusk. 2021
Lino print and watercolour on paper, 35x25cm, unframed
Pine Jumps, Noon, 2021
Lino print and watercolour on paper, 35x25cm, unframed
Pine Watchers, 2019
Mixed media collage, 18 x 20cm, Framed
Black Hill Tree Cluster, 2019.
Mixed media collage, 25 x 25cm, Framed
$400
Pine Pantomime, 2021
Lino print on paper, 15 x 45cm, Framed
Pine Pantomime, 2021
Lino print and water colour on paper, 15 x 45cm, un framed
Quartz Cliffs, 2022
Cotton embroidery on linen & canvas, 28 x 21cm, Framed
Yarrowee Creek, 2022
Cotton embroidery on linen & canvas, 21 x 25cm
Pine Needle Blankets, 2022
Cotton embroidery on linen, 15 x 12cm, framed
Wattles on Yarrowee, 2021
Cotton embroidery on linen, 16 x 17cm, Framed
Victoria Park Mullock heap. 2021
Cotton embroidery on linen, 15x12cm, framed
Tunnels beneath blue, 2021
Lino print and watercolour on rag paper, 22 x 33cm, Framed
The old butcher's shop gallery
Ballarat